遠方的探照燈

Searchlight at far

防空洞場域以紅色為主軸搭配擬真鏈條，握著手電筒進入幽冥壓抑的防空洞中，光束帶人穿越到戒嚴時期，時空錯位來到島上宵禁管制的生活，桎梏前線居民的日常，摧殘磨難人的心性，這是戰爭所帶來的殘酷，洞前漫射著外面光照的毛氈布幔，仿若又給人懷揣希望遠離戰爭的希望．僅以此作品警示戰爭的殘酷。

The anti-aircraft bunker setting is primarily dominated by red hues, coupled with lifelike chains. Holding a flashlight, one enters the dim and oppressive anti-aircraft bunker. The beam of light takes people on a journey through time and space, transporting them to the era of martial law, experiencing the curfew-regulated life on the island. This artwork captures the daily life of the residents living under constraints, enduring the hardships that ravage the human spirit. The cruelty brought about by war is depicted vividly, as the light filtering through the bunker's entrance is like a woolen curtain, offering a glimmer of hope and the aspiration to escape the turmoil of war. Through this piece, the stark reality of war is starkly warned against.

林美玲

Mei Lin Lin

出生於東引島上，一個在普遍窘困的大環境裡仍顯貧乏的家庭。「動手」與「創作」的起源可以追溯到巧手為家中眾小孩編織衣服的媽媽，耳濡目染之下承襲著手藝，在無法來台灣旅行的寒暑假，藉著幫芭比娃娃縫製衣服消磨光陰的同時編織自己的夢想。

Mei-Lin Lin was born in Dongyin Island, a poor family in a generally poor environment. The origin of "hand-made" and "creation" can be traced back to her mother who skillfully wove clothes for the children in the family. Mei-Lin inherited the craftsmanship under her mother’s influence. During the winter and summer vacations, Mei-Lin could not travel to Taiwan mainland. Thus she sewed clothes for Barbie dolls while killing time instead, which is also weaving her own dreams.