MATSU BIENNIAL
MATSU BIENNIAL
濃烈的太陽正一點一滴地變成橘色,將近日落傍晚的時分,你與好友們來到了漁船貨櫃碼頭欣賞《鄉公所廣播……》這件作品,寬逾6米的大型帆布創作清晰地勾勒出東引大大小小的海產,在聲音裝置的互動下,彷彿聽見了曾經鋪天蓋地的黃魚呱呱叫。
離開碼頭後穿越忠誠門,一階階沿著中路漫長的樓梯來到林家公館,這裡坐落著《粼聚》這件設計作品。鏡面反射下空間波光粼粼的堪比海洋還要耀眼,你隨意挑了張玻璃纖維椅子坐下,遠遠望著正在鏡子前自拍的好友,你只想用雙眼記錄下此刻的每一幀畫面。
起身後你們沿著小巷,踩著階梯來到了藝術家林美玲童年老家的屋頂前,綻白的屋頂上排著一顆顆用濕氈羊毛石頭勾勒而成的城垛,感受著藝術家對戰地前線的祝福,沿著路上色彩鮮豔的小石子,你們繞過了民宅與小巷,來到了東引禮拜堂旁邊的防空洞,看著門口懸掛的鎖鏈,你與好友們躊躇著該不該貿然進去,最終你們鼓起勇氣撥開了鐵鍊,一個觸碰下才發現,原來鐵鍊也是羊毛濕氈製作而成的啊!你們壓低身子走進了防空洞,感受著空間與作品帶來的強烈氛圍,你回想著藝術家童年經歷戰地政務的故事,設身處地的靜下了心。
伴著夜幕,爬著緩坡你們來到了山東小館,遠遠便看到了《群星》發出的閃爍光芒,拿著《群星》小冊的你們,藉著作品的亮光朗誦著八個星座的故事,轉動著鏡球,無數的星點天旋地轉環繞著你們,於是你們在眾星的陪伴許下了願望,結束了這趟《迴島嶼吧》的旅程。
DY01 《鄉公所廣播…》 → 漁船貨櫃碼頭
DY02 《粼聚》 → 林家公館
DY03 《守護》 → 樂華12號屋頂
DY04 《遠方的探照燈》 → 禮拜堂防空洞
DY05 《群星》 → 山東小館
DY06 《東引鄉門牌》 → 東引各處
2023 MATSU BIENNIAL|Returning to the Island|Dongyin Design Island
策展人|Curator
蔡沛原 TSAI Pei Yuan
「讓我們一起迴島嶼吧。」
本屆迴島嶼吧的策展共創香火由東莒傳遞至東引,在藝術共創的基礎上加乘東引近年來獨有的特性:設計力,解析馬祖各島青年”回島嶼”後的日子裡,如何轉換觀看視角、如何通過種種方式經起考驗、生紅過夏———永續島嶼。
承襲第一屆的策展精神,以藝術共創為精神,並遵守環境永續之原則;以設計回應「地方文化故事」的消失與重生,再以共創設計解答「地方人口」的消滅與重建過程。
馬祖青壯年人口的外流已然成為地方最大的考驗之一,然而,東引近年在人口上卻呈現相反姿態。2022年中旬東引鄉戶籍人口總數增加到1500人,超越莒光成為馬祖人口數第三多的鄉,東引近十年人口呈現緩慢但穩定的成長的趨勢,更於去年成為連江縣人口結構最年輕的鄉。
此外,2020年在東引成立的「鹹味島合作社」青年團隊,截至今年亦從最初的3人新增至17人,包含8位返鄉青年與9位移鄉青年。 東引是如何從一個即將地方消滅的狀態在十年內搖身一變,擺脫衰亡危機成為最年輕的鄉。
東引如何以設計力改變島嶼?又或者,島嶼共創如何影響設計思維?「東引設計之島」是東引的青年現在進行式,邀您一起來見證。
“Let’s return to the island.”
This year, the co-creative incense of the Returning to the Island exhibit passes from Dongju to Dongyin, adding a dose of Dongyin’s recently acquired “design prowess” to the co-creation project.
The exhibit analyzes how each Matsu youth has shifted their perspectives since their “return to the island”, unveiling the ways they have responded to the test of time, like Ruby Red After Summer, sustainably living on each island. In the curatorial spirit of the first biennale installment, artistic co-creation and environmental sustainability, this year’s project addresses the loss and rebirth of “local cultural narratives” through design and the diminishing and reconstruction of “local population” through co-creation.
The exodus of the youth population has become a major issue in Matsu. However, Dongyin’s population numbers bucks the trend. By mid-2022, the registered population of Dongyin Township has risen to 1500, surpassing Juguang to become the third most populous township in Matsu. Not only has the population in Dongyin risen steadily the last 10 years, but the township has achieved the youngest population age structure since last year.
Salty Island Studio, a team of young creators which started in 2020, has grown from 3 members to 17, and now consist of 8 homecoming and 9 newcomer youths. How did Dongyin emerge in the space of 10 years from a dying town to become the youngest township in Matsu? Or rather, how has design thinking effected change in the co-creation process? The Dongyin Design Island Project is the present action of Dongyin’s youth, inviting you to bear witness.